The Demonologist (2018)

There’s a phrase that I often think of while writing: Keep it simple, stupid. The words may not always keep me from veering off into some weird tangent while you sit there wondering where the hell I’m going with this, but they’re words to live by when developing any sort of creative project. The intention is to remind us that simpler is always better, especially in storytelling, because when you cram in too much, the core theme of the tale is almost always lost.

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The Cabin (2018)

Mysterious killer slices up old man in a cabin. Obnoxious couple that is so annoying they’re actually made for each other visits cabin because spending time alone together with nothing to do somehow seems like a good idea. Killer sets his sight on couple and decides the world would be better off without them.

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Elves (2018)

Raise your hand if you saw Blumhouse’s Truth or Dare earlier this year? While the film didn’t exactly break open the box office, it did quite well considering its minimal budget around 3 mil, so I’m assuming a good chunk of you have either seen it or at least know of it. Why am I mentioning a Blumhouse movie that has nothing to do with a Christmas horror indie called Elves?

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Cam (2018) #IthacaFantastik

As a self-proclaimed “media personality”, there is an inherent… strangeness to the whole thing. In a similar sense to the films I review, I’m laying myself bare out here, ready to be picked apart for my opinions, which is often pretty justified. I don’t know you, and you barely know me, even if you’ve been reading my work for a while.

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