Becky is a thrilling ride that harkens back to the psychological thrillers of the 90s, with a modern twist that keeps the viewer both entertained and on edge. Directed by Houston native Justin Milton, the film follows a newly married couple as they settle into their suburban home, only to have their lives upended by a dangerously obsessed neighbor, Becky.
The plot may feel familiar—a pretty, twisted woman becomes infatuated with a happily married man and wreaks havoc on his marriage and career—but Milton's execution elevates this story beyond its predictable beats. From the outset, the film draws you in with its portrayal of Becky, played by Larissa Dali. Known for her work in A Gettysburg Christmas (2023) and The Omicron Killer (2024), Dali shines in this role, delivering a performance that is both unsettling and captivating. Becky's unnerving habit of licking her teeth adds an extra layer of weirdness that lingers long after the credits roll.
The film's soundtrack, filled with knock-off versions of The Weeknd, is a curious choice that somehow works, adding to the overall quirky vibe. However, Milton occasionally falls into the trap of overusing certain cinematic techniques. The repetitive use of sunsets and sunrises to indicate the passage of time feels heavy-handed, as does the frequent use of establishing shots for every major city location. These moments, while not deal-breakers, do distract slightly from the flow of the film.
Despite these minor flaws, Becky manages to maintain its tension, particularly through its standout characters—Becky herself and the nosy neighbors who seem to be everywhere and nowhere at once. There's a relatable quality to Becky’s character; she’s not so much crazy as she is a reflection of real people. Perhaps it’s a girl thing, or maybe a Texas girl thing, but either way, it’s unnerving how recognizable her behavior is.
The pacing of the film drags a bit before the third act, but when it finally kicks into gear, it delivers a wild conclusion that feels almost like a different movie entirely. The shift in tone is jarring but oddly satisfying, with a surprisingly high kill count and impressive fight choreography. The climax is filled with crazy moments that are both shocking and thrilling, ensuring that the film ends on a high note.
While Becky may not be breaking new ground in the genre, it’s a fun watch, particularly for fans of old-school thrillers. The film teeters somewhere between a Lifetime movie and a Tyler Perry film, with just enough tension and drama to keep you hooked. Larissa Dali’s performance is the film's standout feature, transforming it into a compelling showcase of her impressive range.
Director Justin Milton's expertise in low-budget filmmaking is evident in the creative ways he maximizes the film's resources. Despite its predictability, Becky is a suspenseful ride with a solid payoff for those willing to overlook its flaws. In the end, Becky delivers a wild, unpredictable experience that’s well worth the watch—if only to hear someone shout, "Take your eggs and get the fuck out!"
Jessie Hobson