What do JK Simmons, True Blood’s Ryan Kwanten, Lovecraftian cosmic horror, and a glory hole have in common? No, this isn’t the setup for some edgy film nerd joke. These are the main components in Rebekah McKendry’s Glorious.
Read MoreIngrid Goes West (2017) #RetroReview
I’m looking forward to seeing Emily the Criminal starring Aubrey Plaza, which should be screening everywhere by the time this is published. Keeping that in mind, I decided to revisit Matt Spicer’s Plaza-starring Ingrid Goes West, a terrific little black comedy and cautionary tale that examines social media through the lens of obsession and mental health. The film also balances some thriller-esque elements with great character work.
Read MoreSession 9 (2001) #RetroReview
I remember sitting in a rather empty theater in 2001, waiting to see Session 9. My ex was an Insulator, and that drove us to the cinema that night to see this underrated horror gem. This ambiguous film has perhaps never found the audience it should have.
Read MoreThe Gray Man (2022)
The Russo brothers have been branching out since their massive success within the Marvel Cinematic Universe. Their latest, The Gray Man, debuted on Netflix this past weekend after a limited theatrical run. Based on the first novel in an ongoing series by Tom Clancy collaborator Mark Greaney concerning an ex-CIA operative, the film is intended to begin a new action franchise.
Read MoreRoad to Perdition (2002) #RetroReview
When Road to Perdition was released on July 12th, 2002, it caused a mini stir. Audiences weren’t sure if they would be able to buy Tom Hanks in a morally flexible role. The film had the benefit of being director Sam Mendes’ follow-up to the massively successful American Beauty, though, and as such, had creative leeway.
Read MoreDawn Breaks Behind the Eyes (2021)
Look, Kevin Kopacka’s Dawn Breaks Behind the Eyes is probably best seen without any foreknowledge about the film. That being said, I will do my damnedest to avoid any spoilers. The Austrian-Sri Lankan filmmaker evokes the aesthetics of arty and moody ‘70s Euro-horror in unexpected ways.
Read MoreMad God (2021)
Around thirty years ago, Oscar-winning effects legend Phil Tippett began work on a stop motion sci-fi/horror film, but the rise of CGI convinced him that the old school animation discipline’s days were over. However, around ten years ago, he was persuaded by colleagues to begin working on the film again. When Tippett released a sizzle real a year or so ago, effects junkies everywhere went nuts for the footage.
Read MorePoser (2021)
A young woman longs to make her mark in her local underground music scene in Ori Segov and Noah Dixon’s Poser. I was especially excited to see the film, as it was shot and set in my hometown of Columbus, Ohio. Recent years have seen more movies get made here, but it’s still rare enough to be a treat.
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