Eli Craig’s Clown in a Cornfield is the kind of horror movie that knows exactly what it is—and executes with the confidence of a masked killer in broad daylight. Adapted from Adam Cesare’s novel by Craig and Carter Blanchard, the film is a back-to-basics slasher that manages to feel both comfortingly familiar and surprisingly fresh. Set in the economically shattered town of Kettle Springs, the story follows Quinn and her father as they attempt to rebuild their lives following a tragic past.
Read MoreA Night with Nathan (2025)
Brent Baird’s A Night with Nathan is a heartfelt and darkly funny exploration of masculinity, loneliness, and unlikely friendship, wrapped in the skin of a one-crazy-night buddy dramedy. With its microbudget charm and impressive performances, the film surprises with moments of emotional weight and sincere character development, even when it stumbles in pacing or polish. The story centers on Stan, a washed-up womanizer and alcoholic who's been kicked out of his house and relegated to sleeping in his truck.
Read MoreThe Wilde Girls (2025)
In The Wilde Girls, director Timothy Hines invites audiences to trade Manhattan high society for the muddy, bug-bitten forests of the Pacific Northwest—and the result is a mostly charming blend of slapstick survival comedy, 1930s flair, and heartfelt growth. With a runtime of 119 minutes, it does run a little long, but if you have an afternoon to spare, this is a delightful and quirky way to spend it. Set in 1932 during the heart of the Great Depression, the film follows New York heiresses Tinsley and Mattie Wilde—two impossibly pampered socialites suddenly cut off from their fortune and thrust into the wild with nothing but a bounty on their heads and a grumpy mountain man named Silas as their reluctant guide.
Read MoreI Know Catherine, the Log Lady (2025)
Richard Green’s I Know Catherine, the Log Lady is an intimate and deeply affectionate portrait of Catherine E. Coulson, the actress who brought to life one of television’s most enigmatic and beloved characters. Best known as the Log Lady in Twin Peaks, Coulson’s life and final days are explored in a documentary that’s as much about love and resilience as it is about legacy. Told through a blend of archival footage, personal recollections, and an impressive roster of interviews—including Oscar-winner David Lynch and Pulitzer Prize-winner Robert Schenkkan—the film showcases Coulson's unwavering devotion to storytelling.
Read MoreThe Comic Shop (2025)
The Comic Shop, directed by Jonathan L. Bowen and co-written with Scott Reed, aims to be a quiet, character-driven meditation on second chances, artistic rediscovery, and the enduring power of community spaces—specifically those nostalgic, fluorescent-lit comic shops that feel like home to so many. Set in a fading Las Vegas strip mall, the film follows Mike D’Angelo, a once-promising illustrator now struggling to keep his comic store afloat after the pandemic forces him to lay off his only employee and best friend, Alex. On the surface, the premise is universal: who hasn’t looked back on their past ambitions and wondered, “What if?” When Brandon walks into Mike’s life, he becomes the unexpected catalyst for creative renewal.
Read MoreSwamp Dogg Gets His Pool Painted (2024)
Swamp Dogg Gets His Pool Painted is one of those rare documentaries that feels more like a hangout than a historical overview—and that’s largely the point. Like its subject, the cult icon Swamp Dogg, the film is unapologetically loose, unexpectedly moving, and bursting with character. While it may not offer the deepest dive into music history, it provides something arguably better: an intimate portrait of an artist who never stopped creating, even as the world changed around him.
Read MoreA Desert (2024)
With A Desert, first-time feature director Joshua Erkman plunges audiences into a sun-scorched fever dream of Americana decay, blending the grit of neo-noir and the bite of horror with impressive precision. What begins as a slow burn with shades of Cheap Thrills soon mutates into a gnarlier beast—something akin to a marriage between The Devil’s Rejects and The Hills Have Eyes. But make no mistake, A Desert is its own animal: haunting, bold, and oddly beautiful.
Read MoreAll the Lost Ones (2024)
In All The Lost Ones, director Mackenzie Donaldson delivers a lo-fi dystopian thriller that’s as much about survival as it is about the slow erosion of trust in a fractured America. Set in a near-future where climate change has catalyzed a government crackdown and subsequent civil war, the film explores the lives of a small group of resisters trying to outrun a brutal militia force. At the center of the story are Nia, her sister Penny, and her boyfriend Ethan, who find themselves hiding in a remote cabin—until their sanctuary is disrupted by a militia leader named Conrad.
Read More