There are performances that portray adolescence, and then there are performances that embody it—raw, volatile, and terrifyingly real. Megan Osyen’s turn in Lottie is the latter: an unflinching, aching portrayal of a teenage girl teetering on the edge of reality. Under the delicate yet daring direction of Bella Rieth, Osyen delivers a performance so immersive it doesn’t feel like acting—it feels like confession.
Read MoreFriendship (2024)
Andrew DeYoung’s Friendship, opening in theaters this Friday, May 16th via A24, is a riotous plunge into the deep end of suburban male loneliness, toxic admiration, and the desperate yearning for connection. Led by a career-best performance from Tim Robinson, this film is part cringe comedy, part psychological unraveling, and entirely unforgettable. Robinson plays Craig Waterman, a painfully awkward suburban dad whose life is quietly imploding.
Read MoreRosario (2025)
Felipe Vargas makes an assured and stylish directorial debut with Rosario, a moody, atmospheric horror film that fuses supernatural terror with a sharp exploration of generational trauma and cultural identity. It’s a claustrophobic, unnerving experience that balances the grotesque with the emotional—and while it might not quite live up to the “scariest movie ever” hype it’s getting on TikTok, it still delivers plenty of chills, thrills, and vivid visual storytelling. The plot centers on Rosario Fuentes, a high-powered Wall Street stockbroker who returns to her late grandmother’s apartment during a snowstorm.
Read MoreClown in a Cornfield (2025)
Eli Craig’s Clown in a Cornfield is the kind of horror movie that knows exactly what it is—and executes with the confidence of a masked killer in broad daylight. Adapted from Adam Cesare’s novel by Craig and Carter Blanchard, the film is a back-to-basics slasher that manages to feel both comfortingly familiar and surprisingly fresh. Set in the economically shattered town of Kettle Springs, the story follows Quinn and her father as they attempt to rebuild their lives following a tragic past.
Read MoreA Night with Nathan (2025)
Brent Baird’s A Night with Nathan is a heartfelt and darkly funny exploration of masculinity, loneliness, and unlikely friendship, wrapped in the skin of a one-crazy-night buddy dramedy. With its microbudget charm and impressive performances, the film surprises with moments of emotional weight and sincere character development, even when it stumbles in pacing or polish. The story centers on Stan, a washed-up womanizer and alcoholic who's been kicked out of his house and relegated to sleeping in his truck.
Read MoreThe Wilde Girls (2025)
In The Wilde Girls, director Timothy Hines invites audiences to trade Manhattan high society for the muddy, bug-bitten forests of the Pacific Northwest—and the result is a mostly charming blend of slapstick survival comedy, 1930s flair, and heartfelt growth. With a runtime of 119 minutes, it does run a little long, but if you have an afternoon to spare, this is a delightful and quirky way to spend it. Set in 1932 during the heart of the Great Depression, the film follows New York heiresses Tinsley and Mattie Wilde—two impossibly pampered socialites suddenly cut off from their fortune and thrust into the wild with nothing but a bounty on their heads and a grumpy mountain man named Silas as their reluctant guide.
Read MoreI Know Catherine, the Log Lady (2025)
Richard Green’s I Know Catherine, the Log Lady is an intimate and deeply affectionate portrait of Catherine E. Coulson, the actress who brought to life one of television’s most enigmatic and beloved characters. Best known as the Log Lady in Twin Peaks, Coulson’s life and final days are explored in a documentary that’s as much about love and resilience as it is about legacy. Told through a blend of archival footage, personal recollections, and an impressive roster of interviews—including Oscar-winner David Lynch and Pulitzer Prize-winner Robert Schenkkan—the film showcases Coulson's unwavering devotion to storytelling.
Read MoreThe Comic Shop (2025)
The Comic Shop, directed by Jonathan L. Bowen and co-written with Scott Reed, aims to be a quiet, character-driven meditation on second chances, artistic rediscovery, and the enduring power of community spaces—specifically those nostalgic, fluorescent-lit comic shops that feel like home to so many. Set in a fading Las Vegas strip mall, the film follows Mike D’Angelo, a once-promising illustrator now struggling to keep his comic store afloat after the pandemic forces him to lay off his only employee and best friend, Alex. On the surface, the premise is universal: who hasn’t looked back on their past ambitions and wondered, “What if?” When Brandon walks into Mike’s life, he becomes the unexpected catalyst for creative renewal.
Read More