Bullets, Blades, and Blood (2025)

Bullets, Blades and Blood, a Meyham Films/Anointed Media production, is directed by Warren Foster and Robert D. Parham and written by Parham and David Perez. This indie action throwback wears its grindhouse influences proudly, delivering an unapologetically pulpy revenge story that feels like something you’d stumble across flipping channels late at night in the ‘90s—and you’d end up watching the whole thing, just because of how wild it gets. The film stars Robert D. Parham as Marcus Blades, a former gun-for-hire whose life unravels after his wife is murdered by underworld figure Mr. Nelson.

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MMA Cop (2025)

Tamara Rothschild’s MMA Cop is the kind of movie that’s fully aware of its limitations and charges forward anyway—shirtless, sweaty, and full of absurd swagger. At a lean 90 minutes, this low-budget action thriller manages to deliver enough chaos and conviction to keep its head above water, even as it veers wildly between tones and genres. The plot is as trashy and pulpy as you'd expect: a rogue detective named Tyson Shabazz teams up with a journalist to uncover a child trafficking conspiracy, facing off against cartoonishly evil villains and their hired assassins.

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40 Acres (2024)

In a cinematic landscape oversaturated with post-apocalyptic thrillers, 40 Acres arrives like a bolt of lightning — fierce, grounded, and emotionally resonant. The debut feature from Canadian filmmaker R.T. Thorne is more than just an action survival story. It’s a bold and politically charged meditation on legacy, sovereignty, and the emotional toll of survival, anchored by a riveting performance from Danielle Deadwyler.

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Shiver Me Timbers (2025)

There’s a fine line between campy fun and cinematic disaster, and Shiver Me Timbers, the feature debut from writer-director Paul Stephen Mann, cannonballs into the latter without much grace. Billed as a gory, comedic reimagining of Popeye with a horror twist, this film misses nearly every mark—hard. Set in 1986 California during the arrival of Halley’s Comet, the plot follows Olive Oyl, her brother Castor, and a group of forgettable friends on a camping trip that goes sideways when a meteor fragment lands in the pipe of a local fisherman.

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The G (2023)

Some actors don’t need the spotlight to shine—but when they finally get it, they make the most of it. In The G, Dale Dickey—long known for stealing scenes in supporting roles—takes center stage and delivers a commanding, unforgettable performance. It’s a gritty, emotionally complex turn that proves she should have been leading films all along.

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Do No Harm (2025) #DancesWithFilms

In a cinematic landscape often defined by spectacle and noise, Do No Harm dares to be quiet—and in doing so, delivers something profoundly resonant. The feature directorial debut from Chris Hartwell, Do No Harm is a moving, intimate character study about burnout, shame, and the lies we tell ourselves to survive. It's a film with its heart on its sleeve and a haunting truth at its core.

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The Boy and the Gambler (2025)

Dimitrios Pantos’ The Boy and the Gambler is a deeply personal indie drama that tackles heavy themes—addiction, redemption, and the transformative power of empathy. At its core, the film tells the story of Michael, a man crippled by a gambling addiction who spirals into ruin before finding a sliver of hope through an unlikely friendship with a young pickpocket named Zigmata. It’s a classic redemption arc delivered with sincerity and ambition—but also with significant limitations that ultimately hold the film back from being fully effective.

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Spilled Paint: Season 1 (2025)

While a lot of times people brush off stuff that goes to Tubi, Spilled Paint isn’t one to miss. This six-episode crime drama dives headfirst into the dangerous, high-gloss world of art forgery, where the paint is barely dry before someone ends up dead. If you're a fan of crime thrillers with layered characters, high-stakes tension, and a killer hook—this one's for you.

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