Dark Glasses (2022)

Dario Argento has returned with his first directorial effort in ten years! Of course, there are many fans who will just shrug at the release of Dark Glasses, as the legendary Italian auteur hasn’t produced any must-see work for decades. What we have here is a simple return to form, with Argento stretching his legs in familiar territory, and while not everything lands, I was never less than engaged and entertained.

Read More

Saloum (2021)

Do you like movies that thumb their noses at genre rules and eschew tropes? How about narratives that successfully pull the rug out from under you multiple times? If so, have I got an action/thriller/horror flick for you!

Read More

Alienoid (2022)

Dynastic historical drama, aliens, magic, robots, a time-traveling SUV, and martial arts, Oh My! This is Alienoid, the most highly anticipated Korean movie of the summer. A wet dream of hybrid, epic filmmaking, Alienoid's impressive world-building, quirky, humorous tone, and two storylines that collide messily into one big, bold gonzo action flick.

Read More

Glorious (2022)

What do JK Simmons, True Blood’s Ryan Kwanten, Lovecraftian cosmic horror, and a glory hole have in common? No, this isn’t the setup for some edgy film nerd joke. These are the main components in Rebekah McKendry’s Glorious.

Read More

Ingrid Goes West (2017) #RetroReview

I’m looking forward to seeing Emily the Criminal starring Aubrey Plaza, which should be screening everywhere by the time this is published. Keeping that in mind, I decided to revisit Matt Spicer’s Plaza-starring Ingrid Goes West, a terrific little black comedy and cautionary tale that examines social media through the lens of obsession and mental health. The film also balances some thriller-esque elements with great character work.

Read More