Ari Aster’s Eddington is a cinematic fever dream—an apocalyptic Western where cowboy hats are traded for face masks, and six-shooters for smartphones. Equal parts satire, horror, and political cartoon, it is the first major American film to tackle the COVID-19 era with both comedic bite and dramatic heft. While it’s definitely too long and sometimes too pleased with its own chaos, it’s also a rich, immersive, and often hilarious pressure cooker of a movie.