The Monster Squad (1987) #RetroReview

Fred Dekker’s The Monster Squad was released on this day in 1987. Considering it’s basically The Goonies meets the Universal Monsters, I instantly became a fan. If you’ve never seen it before, it has a handful of aspects that may shock modern viewers, but these aspects are what place the movie firmly in cult film territory as opposed to the children’s classic milieu.

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Homewrecker (2019)

It isn't often when two female leads get to collaborate with their director to write their own film. Alex Essoe and Precious Chong co-wrote the script for Homewrecker with director Zach Gayne, but unfortunately, this deranged comedy-thriller falls short of becoming the horror satire it wanted to be. Interior designer Michelle meets cute with Linda at their shared fitness classes and coffee shops.

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Volition (2019)

There’s a lot to like about Tony Dean Smith’s Volition, which had a festival run last year and is now available on major digital platforms. That being said, if you’re a veteran genre film fan, you might be able to predict where his script, co-written with brother Ryan, is heading. Considering the premise and the tight plotting, that didn’t make it a deal-breaker for me, though.

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Hate Crime (2012)

There are directors who rely on jump scares and fake blood to get under a viewer's skin and those who believe the realistic portrayal of raw violence is more emotionally effective. James Cullen Bressack is one of the latter, and Hate Crime more than proves this. Horror is such a broad genre, and this mashup of a home invasion film and a found footage movie takes perverse pleasure shocking the audience with a level of brutality seldom seen.

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Batman (1989) #RetroReview

It’s hard to overstate just how big Tim Burton’s Batman was when it premiered in 1989. I was 11 years-old that summer and I had already been a full-on comic book freak for years. To say I was anticipating it is to put it lightly.

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Becky (2020)

I enjoy seeing actors try roles completely outside their wheelhouse. Now, I don’t dislike Kevin James, but I don’t think he’s made anything I ever had an interest in watching. This brings me to the just-released Becky, directed by Jonathan Milott and Cary Murnion.

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Fast Color (2018)

I have seen too many movies, more than any normal person should have. Because of this, I am always on the lookout for something fresh. My latest obsession has been exploring the niche of films in the superhero genre that examines the gifted as people struggling with their powers, not in some glossy Marvel universe, but in everyday life, with their feet firmly planted on the ground.

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