The Batman (2022)

As a longtime comic book fan, I’ve been conditioned to easily accept new interpretations of established characters. New creative teams often attempt to place their own stamps on the mythoi of beloved superheroes. In some cases, they are given free range to completely reinvent a character’s entire universe.

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The Belko Experiment (2016) #RetroReview

March 17th marks the fifth anniversary of the release of Greg McLean’s lightly satirical, bleakly humorous, and gory The Belko Experiment. Featuring a what-would-you-do type premise and a mile-wide mean streak, it deftly blends a clearly-defined psychological approach with graphic violence. The result is a visceral, if borderline unpleasant, thrill ride.

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Cyrano (2021)

Director Joe Wright has a history of appropriating great works of literature for his movies. His Pride and Prejudice and Anna Karenina demonstrate a healthy regard for the original material, while still infusing them with his own dreamy style. Wright's successful track record continues here with Cyrano.

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Texas Chainsaw Massacre (2022)

When reviewing something like Netflix’s new Texas Chainsaw Massacre, I think some bonafides are helpful to the reader. I’m a huge fan of Tobe Hooper’s original film from 1974. The rest of the franchise entries I could take or leave, although I don’t mind revisiting the first two sequels every now and again.

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The Long Night (2022)

You had me at creepy cult with weird masks. Rich Ragsdale’s The Long Night is a no-frills tale about a young couple facing off against a sinister sect of demon worshipers in an isolated setting. It’s got some familiar plot points, but there are a few slight curveballs and the photography is legitimately strong.

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The Runner (2022

I discovered darkwave duo Boy Harsher a few years ago and instantly fell in love with Augustus Muller’s smoky atmospheric synths and Jae Matthews’ sultry vocals. Their four albums have essentially been the soundtrack to my pandemic. So, when the former film students recently announced that they’d written, produced, edited, and directed a short movie called The Runner that would also include an album’s worth of new songs, it immediately shot to the top of my must-see flicks for 2022.

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The Matrix Resurrections (2021)

I was pretty surprised when it was announced that another sequel to The Matrix was being produced, even though many fans felt like there was room to follow up on the trilogy capper The Matrix: Revolutions. Now, eighteen years after that seemingly final entry, Lana Wachowski has returned as director and co-writer with the surprisingly meta The Matrix: Resurrections. Let me take care of some business first.

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Autumn Road (2021)

There’s a scene early on in Autumn Road, a moment of innocence and tenderness between a young boy, Charlie, and his crush Winnie, with a haunted attraction on Halloween serving as the backdrop. It’s a genuinely sweet and touching moment that turns terrifying on a dime as Winnie, played wonderfully by Maddie Lea Hendrix, suffers an allergy attack. For the audience, it should be heartbreaking as we realize this boy’s terror and helplessness, but instead, it’s undercut by poor acting on the part of the actor playing Charlie, who gives such a stilted performance that the scene is robbed of any emotion.

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