A Wounded Fawn (2022)

A quote from noted surrealist Leonora Carrington kicks off the proceedings for writer/director Travis Stevens’ new Shudder original movie, A Wounded Fawn. It’s an indicator that while we may start off in the realm of relatively recognizable reality, that’s not where we’ll be staying. The next 91 minutes detail a visually sumptuous journey to the heart of a particularly feminine rage.

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The Wild Man (2022) #AustinFilmFest

The prospect of caring for an elderly or mentally unwell parent is a daunting and all too real prospect for many people from all over. That’s what makes writer/director/star Riley Cusick’s The Wild Man so relatable. On the surface, it trades in quirky indie film sensibilities with its tender folky soundtrack and its general premise, but the young filmmaker opts for genuine humanity over superficial laughter and feel-good foolishness.

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Aftersun (2022)

Aftersun eloquently encapsulates the best and worst moments of parenting while also exploring the awkwardness of that time just before high school. Poignant yet hopeful as heavy themes are examined without effort. This is easily one of the best films of the year and it couldn't come at a better time.

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Brooklyn Horror Film Fest (2022)

Like with Fantastic Fest, I’ve never attended Brooklyn Horror, and with FF wrapping up and Halloween right around the corner, of course, I’d take a stab at watching a few horror films that hadn’t been released yet. While I wish I had gotten to more, I very much enjoyed viewing and covering the films that I had time to watch. There are a bunch of gems here, so I’d say that horror is in good hands for the years moving forward.

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The Killing Time (1987) #RetroReview

The thirty-fifth anniversary of a film you may not have heard of is October 23rd. Rick King’s The Killing Time from 1987 is hindered by some shaky scripting and its insistence on presenting Beau Bridges sex scenes, but its solid premise and Noir-ish atmosphere make it entirely watchable. I’d never heard of the film before Scorpion Releasing announced they were putting out a blu ray back in 2020.

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Masking Threshold (2021)

Right off the bat, I’m going to tell you that Austrian filmmaker Johannes Grenzfurthner’s Masking Threshold is not going to be for everyone. Its uncompromising presentation and shocking imagery make for a challenging watch. I personally loved its wholly unique vision.

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