Inside (2007) #RetroReview

One of the great tragedies of modern horror cinema is the confounding ambivalence shown to Inside upon its U.S. release. The stunning 2007 French shocker generated some buzz during its award-winning festival run, but never received a proper theatrical release save for France and a handful of European markets. The Weinstein’s ended up purchasing the American rights, quietly moving it past go – and sending it directly to DVD jail in 2008 under their Dimension Extreme banner.

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The Demonologist (2018)

There’s a phrase that I often think of while writing: Keep it simple, stupid. The words may not always keep me from veering off into some weird tangent while you sit there wondering where the hell I’m going with this, but they’re words to live by when developing any sort of creative project. The intention is to remind us that simpler is always better, especially in storytelling, because when you cram in too much, the core theme of the tale is almost always lost.

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The Cabin (2018)

Mysterious killer slices up old man in a cabin. Obnoxious couple that is so annoying they’re actually made for each other visits cabin because spending time alone together with nothing to do somehow seems like a good idea. Killer sets his sight on couple and decides the world would be better off without them.

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Elves (2018)

Raise your hand if you saw Blumhouse’s Truth or Dare earlier this year? While the film didn’t exactly break open the box office, it did quite well considering its minimal budget around 3 mil, so I’m assuming a good chunk of you have either seen it or at least know of it. Why am I mentioning a Blumhouse movie that has nothing to do with a Christmas horror indie called Elves?

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Cam (2018) #IthacaFantastik

As a self-proclaimed “media personality”, there is an inherent… strangeness to the whole thing. In a similar sense to the films I review, I’m laying myself bare out here, ready to be picked apart for my opinions, which is often pretty justified. I don’t know you, and you barely know me, even if you’ve been reading my work for a while.

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Johnny Gruesome (2018)

As a kid that wasn’t exactly swimming in popularity growing up, one of my favorite types of horror films has always been the “supernatural revenge” film. Movies like Evilspeak, Carrie, Christine, The Crow, Pumpkinhead, and The Wraith, just to name a very few of many. There’s nothing quite like seeing bullies and assholes get their bloody comeuppance.

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King Cohen: The Wild World of Filmmaker Larry Cohen (2017)

Often referred to as “the Cassavetes of exploitation,” filmmaker Larry Cohen was responsible for some of the most engaging and transgressive films of the 70's and 80's. Though arguably more famous as the creative force behind the It’s Alive franchise and the quirky cult film Q, his career began as a prolific television writer for dozens of 60's television productions. His work spans six decades of creative and often challenging material, which would make any attempt at a documentary on his legacy a daunting task.

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Animalistic (2015)

When you sit back and think about it, what are human beings but a bunch of sophisticated animals? Yeah sure, we give ourselves laws, create beautiful art, develop science that does important things like provide ugly face Snapchat filters or allow access to videos of cats jumping into boxes. But take out all the “higher thinking” and pretend morals, and we’re just a bunch of animals working off of primal instincts, the two most basic being sex and survival.

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