Trail Cam Sasquatch, directed by Mark Polonia, sets out to deliver a tense survival horror experience in the deep woods of Pennsylvania, where strange sightings of hairy creatures and UFOs have the region on edge. The premise is intriguing: a stranded woman joins a hunting party, and what begins as a routine trip quickly turns into a fight for survival against savage Sasquatch creatures. The film’s atmosphere is one of isolation and creeping dread.
Read MoreChoke (2020)
Choke, directed and written by Gregory Hatanaka, is a puzzling experiment in indie filmmaking that struggles to find its footing. The film attempts to blur the lines between reality and fantasy, following a nihilistic detective and a serial killer whose lives intersect through a mysterious young woman. At just 73 minutes, it’s brief, yet crams in an overwhelming number of montages, monologues, and seemingly symbolic scenes—many of which fail to resonate or clarify the story.
Read MoreAmityville Emanuelle (2023)
Amityville Emanuelle starts with a premise that could have held promise: a young man, Gordon DeFeo, experiences terrifying visions related to his father, the infamous mass murderer, and a woman, Laura Lutz, receives his ashes and begins experiencing similar supernatural disturbances. The setup ties into the notorious Amityville legacy and hints at psychological horror intertwined with supernatural elements. For a brief moment, it seems the film could explore haunting family legacies and the effects of past atrocities on the present.
Read MoreAmityville Cop (2021)
Amityville Cop attempts to blend supernatural horror with crime thriller elements, but it ultimately struggles to deliver on either front. Directed by Gregory Hatanaka and written by Geno McGahee, the film follows Detectives Miller and Val as they investigate a series of grisly murders in a city haunted by a dark past. The twist: the perpetrator may be a demonic force wearing a police uniform.
Read MoreBambi: The Reckoning (2025)
I had high hopes going into Bambi: The Reckoning, especially after Peter Pan’s Neverland Nightmare. Like Winnie the Pooh: Blood and Honey, it opens with promise—a charming storybook-style intro that suggests a dark fairy tale twist is coming. The setup is simple and strong: Bambi’s mother is killed by hunters, so he seeks revenge.
Read MoreShiver Me Timbers (2025)
There’s a fine line between campy fun and cinematic disaster, and Shiver Me Timbers, the feature debut from writer-director Paul Stephen Mann, cannonballs into the latter without much grace. Billed as a gory, comedic reimagining of Popeye with a horror twist, this film misses nearly every mark—hard. Set in 1986 California during the arrival of Halley’s Comet, the plot follows Olive Oyl, her brother Castor, and a group of forgettable friends on a camping trip that goes sideways when a meteor fragment lands in the pipe of a local fisherman.
Read MoreI Heart Willie (2024)
Alejandro G. Alegre’s I Heart Willie is a film that knows exactly what it is—a campy, gore-filled fever dream loosely inspired by Steamboat Willie. While it borrows heavily from horror classics like The Texas Chainsaw Massacre, this twisted slasher tale still manages to stand out with its absurdity and unexpected moments of brilliance. Despite some obvious flaws, I Heart Willie is a fun and bizarre ride that horror fans should check out—just don’t expect Scorsese.
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