All Creatures Great & Small has long been known as the ultimate feel-good series, and the arrival of Series 6 on DVD and digital on 1 December 2025 proves once again why it remains one of Britain’s most cherished dramas. Released alongside the expansive Complete Series 1–6 Box Set from Acorn Media International, the new season is a warm, comforting return to the Yorkshire Dales just in time for the holidays. Critics have praised the show since its reboot began, calling it everything from “the comforting TV we all need” to “an underrated gem of the British canon.”
Read MoreMy Movie Girl (2016)
My Movie Girl, directed by and starring Adam Bronstein, is a quirky and heartfelt romantic comedy that wears its cinematic influences proudly. Rooted in a love for classic Hollywood and the neurotic charm of filmmakers like Woody Allen and Noah Baumbach, the film explores the messy overlap between real relationships and the idealized ones we project onto the screen. The story follows a young filmmaker who’s determined to craft the perfect romance—only to learn that real emotions don’t hit their marks on cue.
Read MoreI Swiped the Wrong One (2026)
Laura Irene Young’s I Swiped the Wrong One is a gentle, funny, and surprisingly heartfelt romantic comedy that explores the modern struggle of finding love in the age of apps, algorithms, and endless scrolling. Shot in the Pittsburgh area under a SAG-AFTRA micro-budget agreement, the film proves that honesty, humor, and good storytelling can go a long way, even without the gloss of a Hollywood production. The story follows four thirtysomething characters who are each dealing with loneliness, new beginnings, and the awkwardness of digital dating.
Read MoreJoe Finds Grace (2017)
Anthony Harrison’s Joe Finds Grace is the kind of indie oddity that feels like it washed ashore from a different decade and then stumbled into 2017 almost by accident. Shot primarily in black and white and punctuated with sudden bursts of color, TikTok-style needle drops, and occasional rotoscoped animation that recalls A Scanner Darkly, it is a micro-budget comic tragedy that does not follow rules so much as wander around them. That is both the film’s charm and sometimes its limitation.
Read MoreThe Pink Conspiracy (2007)
Directed by Brian Scott Miller and Marc Clebanoff, The Pink Conspiracy is a quirky dark romantic comedy that explores the fine line between heartbreak and madness. With a mix of paranoia, humor, and emotional unraveling, it takes a simple breakup story and twists it into something far more unpredictable. The film follows Dave, played by Bradley Snedeker, a regular guy who finally believes he has found the right woman in Jamie, portrayed by Mercedes McNab.
Read MoreA Wiseguy Christmas (2021)
The holiday movie landscape is often dominated by predictable romantic comedies and feel-good family dramas, but A Wiseguy Christmas offers a refreshing and hilarious twist on seasonal storytelling. Directed by Gregory Hatanaka, this 2021 comedy brings an Italian-Mafia flair to the Christmas genre, combining festive cheer with wise-guy humor in a way that’s surprisingly entertaining. The story centers on Tony Pantera, a New York mob boss who is placed in the witness protection program and relocated to Los Angeles.
Read MoreHot Wax Zombies on Wheels (1999) #RetroReview
Hot Wax Zombies on Wheels is one of those films that exists purely to confound, amuse, and occasionally disgust in equal measure—and it succeeds spectacularly at all three. Directed by Michael Roush, this low-budget horror-comedy delivers a plot so bizarre that it almost feels like the filmmakers dared each other to see just how many insane ideas they could cram into 83 minutes. At its core, the movie follows a small fishing village thrown into chaos when two eccentric beauty salon operators roll into town, offering hot wax hair removal that has a truly unexpected side effect: anyone waxed becomes a hairless, horny zombie obsessed with spreading the curse of bare skin.
Read MoreBikini Hackers (2023)
Scott Hillman’s Bikini Hackers is an audacious, if uneven, entry into his repertoire of low-budget, camp-leaning cinema. Clocking in at a brisk 67 minutes, the film attempts to merge comedy, crime capers, and a playful take on lesbian romance, centering on a group of women who plot to redistribute wealth by taking down a major corporation—all while clad in bikinis. The premise is delightfully ridiculous, and for about half the runtime, the film delivers exactly the sort of chaotic charm Hillman fans might hope for.
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