The Woman in the Yard (2025) #BluRay

Blumhouse continues to be one of the most unpredictable studios in the horror game. For every Get Out or The Invisible Man, there's a dud that slips through quality control—and sometimes multiple. With The Woman in the Yard, their latest haunted release from director Jaume Collet-Serra, we get a film that doesn’t so much defy expectations as it quietly shuffles past them in a funereal black veil.

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A Murder in Oakland: Beauty Is Deadly (2025)

Marcus D. Spencer wears many hats in A Murder in Oakland: Beauty Is Deadly—actor, director, co-writer, and executive producer. While his ambition is evident throughout the film, the final product is a mixed bag: engaging in concept, but uneven in execution. The story picks up with the reopening of a cold case that once rocked Oakland—a young model named Mercedes was murdered, and new evidence brings detectives Williams and Adams together to revisit the unsolved crime.

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Lottie (2025)

There are performances that portray adolescence, and then there are performances that embody it—raw, volatile, and terrifyingly real. Megan Osyen’s turn in Lottie is the latter: an unflinching, aching portrayal of a teenage girl teetering on the edge of reality. Under the delicate yet daring direction of Bella Rieth, Osyen delivers a performance so immersive it doesn’t feel like acting—it feels like confession.

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A Night with Nathan (2025)

Brent Baird’s A Night with Nathan is a heartfelt and darkly funny exploration of masculinity, loneliness, and unlikely friendship, wrapped in the skin of a one-crazy-night buddy dramedy. With its microbudget charm and impressive performances, the film surprises with moments of emotional weight and sincere character development, even when it stumbles in pacing or polish. The story centers on Stan, a washed-up womanizer and alcoholic who's been kicked out of his house and relegated to sleeping in his truck.

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Drop (2025) #BluRay

From the twisted mind of Happy Death Day director Christopher Landon comes Drop, a lean, adrenaline-spiked thriller that gleefully blends paranoia, tech-fueled dread, and razor-sharp tension into a brisk 95-minute ride. Now available to own physically for the first time, Drop gets the kind of home release that enhances its already tense atmosphere, delivering strong visual and audio presentation alongside compelling bonus content that fans of the film will genuinely appreciate. The story centers on Violet, a widowed mother whose attempt at reentering the dating world turns nightmarish when a romantic dinner with the seemingly perfect Henry is interrupted by a series of sinister, anonymous messages.

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The Comic Shop (2025)

The Comic Shop, directed by Jonathan L. Bowen and co-written with Scott Reed, aims to be a quiet, character-driven meditation on second chances, artistic rediscovery, and the enduring power of community spaces—specifically those nostalgic, fluorescent-lit comic shops that feel like home to so many. Set in a fading Las Vegas strip mall, the film follows Mike D’Angelo, a once-promising illustrator now struggling to keep his comic store afloat after the pandemic forces him to lay off his only employee and best friend, Alex. On the surface, the premise is universal: who hasn’t looked back on their past ambitions and wondered, “What if?” When Brandon walks into Mike’s life, he becomes the unexpected catalyst for creative renewal.

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All the Lost Ones (2024)

In All The Lost Ones, director Mackenzie Donaldson delivers a lo-fi dystopian thriller that’s as much about survival as it is about the slow erosion of trust in a fractured America. Set in a near-future where climate change has catalyzed a government crackdown and subsequent civil war, the film explores the lives of a small group of resisters trying to outrun a brutal militia force. At the center of the story are Nia, her sister Penny, and her boyfriend Ethan, who find themselves hiding in a remote cabin—until their sanctuary is disrupted by a militia leader named Conrad.

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The Ugly Stepsister (2025)

From the very first frame of Emilie Blichfeldt’s feature directorial debut, The Ugly Stepsister, it’s clear that we’re in for something far removed from the polished perfection of Disney’s animated fairy tales—or the chaos of whatever’s happening in The Twisted Childhood Universe. What Blichfeldt delivers instead is a brutal, beautifully crafted, and unsettling reimagining of Cinderella filtered through a lens of body horror, biting satire, and feminist fury. Set in a lush, live-action world that mimics the meticulous detail of a Disney production, The Ugly Stepsister feels like it’s been plucked from a dream—or a nightmare.

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