Nyctophobia (2024)

Nyctophobia is less a conventional horror film than a slow, surreal dive into the subconscious—a cinematic anxiety spiral wrapped in dream logic and drenched in atmosphere. Written and directed by Seayoon Jeong, the film follows Liz, a young woman struggling with the titular fear of the dark. As insomnia eats away at her sanity, Liz slips into a dream world where childhood memories and nightmares blur, and nothing—especially not time or space—feels safe or linear.

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The Haunting of Prince Dom Pedro (2025)

What if your high school history class came back to literally haunt you? That’s the bizarre but oddly compelling premise behind The Haunting of Prince Dom Pedro, an indie supernatural comedy that gleefully mashes up haunted house tropes, teen slasher parody, historical satire, and musical numbers into one sprawling fever dream of a film. Directed by Don Swanson and written by Joe Fishel, this offbeat experiment is equal parts spoof and sincere homage to the kind of films most would call “so bad, they’re good.”

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Pocket Princess (2024)

Growing up with a deep love for stop-motion animation, I’ve always considered it a gift anytime a new project in the medium lands in my queue for review. Olivia Loccisano’s Pocket Princess is no exception—this beautifully unsettling short film is a dark little gem that reminds us just how powerful animation can be when paired with weighty, real-world themes. The visual style is instantly nostalgic, calling to mind the charming simplicity of vintage bumpers from Pee-wee’s Playhouse or the surreal elasticity of Gumby.

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In the Lost Lands (2025)

The film’s visual style can best be described as 300 meets Mad Max, with a mix of heavy CGI, sweeping landscapes, and desaturated color palettes that give it an otherworldly feel. The wide shots look impressive, creating the illusion of a grand and immersive fantasy world. However, once the camera moves in for close-ups, the cracks begin to show.

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Peter Pan's Neverland Nightmare (2025)

Peter Pan’s Neverland Nightmare is a bold and macabre reimagining of J.M. Barrie’s beloved tale, directed and written by Scott Jeffrey, who continues to redefine public domain stories in the horror genre. As the third installment in The Twisted Childhood Universe, the 2025 British independent film expands the series’ trademark style with a darkly creative and unsettling take on Peter Pan. With standout performances, commendable production values, and a uniquely twisted narrative, the film delivers a compelling experience for horror fans.

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Nosferatu (2024)

For my money, Robert Eggers is one of the best filmmakers working today. The Witch, The Lighthouse, and The Northman are all masterpieces. When it was announced that his next film would be a reimagining of F.W. Murnau’s iconic silent Expressionist Nosferatu: A Symphony of Horror from 1922, I was instantly intrigued, despite my general distaste for remakes.

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