Choke, directed and written by Gregory Hatanaka, is a puzzling experiment in indie filmmaking that struggles to find its footing. The film attempts to blur the lines between reality and fantasy, following a nihilistic detective and a serial killer whose lives intersect through a mysterious young woman. At just 73 minutes, it’s brief, yet crams in an overwhelming number of montages, monologues, and seemingly symbolic scenes—many of which fail to resonate or clarify the story.
Read MoreWe Are Wolves (2024)
Cult cinema is alive and kicking, and We Are Wolves is proof that the weird, chaotic spirit of offbeat thrillers hasn’t gone anywhere. Directed and written by Rich Mallery, the film follows Fenix, a lost soul yearning for belonging, as she attempts to rejoin her chosen family—only to find that acceptance comes at the cost of playing some dangerously twisted games. On paper, the film is a mess of formulaic plotting and familiar tropes, and yes, the acting isn’t exactly Oscar-worthy.
Read MoreEden (2024)
Ron Howard’s Eden is a survival thriller that blends prestige with pulp, historical truth with cinematic spectacle. Produced by Brian Grazer, Howard, Karen Lunder, Stuart Ford, William M. Connor, and Patrick Newall, the film assembles an impressive cast—Jude Law, Ana de Armas, Vanessa Kirby, Daniel Brühl, and Sydney Sweeney—for a story drawn from the real-life settlers of Floreana Island in the Galápagos during the 1930s. On paper, the premise is irresistible: a band of idealists flee modern civilization for paradise, only to discover that the most dangerous predators are themselves.
Read MoreThree (2024) #HHFF
In Three, writer-director Nayla Al Khaja delivers a chilling and richly layered debut that boldly reframes the exorcism subgenre through an Islamic and deeply personal lens. Set across beautifully textured environments in Thailand and the UAE, the film tells the story of a desperate mother, Maryam, who turns to an unlikely Western doctor to save her son Ahmed, whose deteriorating mental health may stem from something far more ancient and sinister. If you’re expecting the typical tropes of Middle Eastern horror or stylized dance numbers sprinkled between scares, Three will subvert those expectations entirely, and for the better.
Read MoreThe Woman in the Yard (2025) #BluRay
Blumhouse continues to be one of the most unpredictable studios in the horror game. For every Get Out or The Invisible Man, there's a dud that slips through quality control—and sometimes multiple. With The Woman in the Yard, their latest haunted release from director Jaume Collet-Serra, we get a film that doesn’t so much defy expectations as it quietly shuffles past them in a funereal black veil.
Read MoreApartment 7A (2024) #FantasticFest
Apartment 7A, directed by Natalie Erika James, offers a fresh yet familiar dive into the eerie world of Rosemary’s Baby. Marketed as a prequel to the iconic 1968 horror classic, the film stands tall on its own with a mesmerizing performance by Julia Garner and hauntingly beautiful visuals that keep viewers on edge. Garner plays Terry Gionoffrio, an ambitious young dancer whose dreams of fame in New York are dashed after a devastating injury.
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