The Legend of Van Dorn A Civil War Drama That Finds the Man Behind the Myth

September 1, 2026

Historical dramas often succeed or fail based on whether they can make familiar events feel fresh. The Legend of Van Dorn, directed by Shane Stanley, takes a different route by focusing on a fascinating Civil War figure who remains largely unknown outside history circles. The result is an engaging period drama that blends military strategy, romance, ambition, and tragedy into a story that feels both intimate and consequential.

I Want Your Sex Is a Neon-Drenched Celebration of Desire and Bad Decisions

July 30, 2026

After more than a decade away from features, Gregg Araki returns with I Want Your Sex, a neon-soaked psychosexual comedy-thriller that feels like a filmmaker completely uninterested in playing it safe. Following Elliot, a drifting twenty-something who lands a job working for provocative artist Erika Tracy, the film dives headfirst into questions of desire, power, self-discovery, and the increasingly complicated ways young people relate to intimacy in the digital age. The result is a big, wonderful, horny cartoon.

One Night, No Promises: Alterlove and the Myth of Modern Romance

June 15, 2026

So yeah, the Before Sunrise comparisons? They’re doing a lot of the heavy lifting, getting you in the door. And fair enough, because Alterlove is absolutely chasing that same lightning-in-a-bottle, walk-and-talk, maybe-this-means-something energy.

Carolina Caroline Is a Gritty Love Story That Cuts Deep

June 1, 2026

Carolina Caroline opens on a familiar kind of place, a hotel room that feels lived in before anyone even speaks. Loretta Lynn’s “Honky Tonk Girl” plays, and just like that, the tone is set. This is not going to be polished. This is going to be human.

A Jazzy Heist With a Human Pulse: Reviewing Tuner

May 28, 2026

Tuner opens with jazzy swagger, Herbie Hancock drifting through the background as quirky conversations overlap against sweeping New York Cityscapes. It feels alive right out of the gate, like the film is tuning itself in real time and daring you to keep up. What follows is technically a heist story, but it never feels boxed in by the genre.

Driver’s Ed: A Familiar Ride That Still Finds a Few Laughs

May 28, 2026

There’s something comfortingly familiar about Driver’s Ed, Bobby Farrelly’s throwback teen comedy about a group of high schoolers who steal their driver’s ed car and hit the road in a desperate attempt to win back a girlfriend. It’s built on a premise that feels pulled straight out of the late-90s and early-2000s playbook: dumb kids, impulsive decisions, and a chaotic road trip full of escalating nonsense. If you grew up on Road Trip, EuroTrip, or Sex Drive, you’ll recognize the formula immediately.

A Soft Cry and a Hard Case: Reminders of Him Lands on Physical

May 18, 2026

I’ll admit it. Weeks ago, I heard a half-joking theory that Him, that Marlon Wayans horror flick, and Reminders of Him exist in the same universe. They don’t. Obviously. But the idea stuck in my brain just enough to nudge me toward a movie I probably would have skipped.

Love Is a Curse: Disolution

April 20, 2026

Disolution is the kind of film that creeps up on you, sinks its teeth in early, and refuses to let go. What starts as a dark romance quickly mutates into something far more vicious and morally tangled. At its core, this is a revenge story fueled by love, desperation, and the terrifying idea that fate can be tampered with if you are willing to pay the price.

It Follows You Because You’re Gay: Leviticus Absolutely Wrecked Me

March 31, 2026

The opening stinger hits immediately, not with a jump scare but with intention. From the first seconds, Leviticus makes it clear this is not a normal horror story. It is patient, confident, and deeply uncomfortable in a way that feels deliberate rather than indulgent.

Indie Sleaze Lives: Mile End Kicks Is a Love Letter to Bad Decisions

March 14, 2026

Mile End Kicks had its US premiere on March 12th at SXSW, and even though the film is unapologetically Canadian and deeply rooted in one specific neighborhood of Montreal, something about it felt extremely Austin, Texas, which made it kind of perfect for the festival. This is a hangout movie about music, ego, longing, and being painfully unsure of who you are. SXSW crowds eat that up.

The Boy With the Floppy Hair: A Love Letter to Almost

February 20, 2026

Some short films try to tell a story. This one tries to bottle a feeling. The Boy With the Floppy Hair plays less like a traditional narrative and more like a whispered confession set to moving images. It is closer to a music video than a plot-driven short, built on impressionistic fragments of New York City and the ache of something that never quite becomes what you want it to be.

Clueless Energy, Earnest Heart: The Way Things Used 2 B

February 7, 2026

The Way Things Used 2 B wears its heart on its low-rise jeans. Written and directed by Kurstin Moser and Ciara Naughton, the short comedy is a clear love letter to early-2000s rom-coms, leaning hard into nostalgia, character-driven humor, and the comforting predictability of the genre. For anyone who grew up dreaming of kissing Jude Law in a rainy British village or riding off into the sunset with Matthew McConaughey, this one knows exactly who it’s playing to.

The Legend of Van Dorn A Civil War Drama That Finds the Man Behind the Myth

Review

The Benefactress: The Dirtiest Mirror in the Room

I'll be honest: The Benefactress is not the kind of film I would normally gravitate toward. Had director Guerrilla Metropolitana not personally reached out and asked for an honest, open-minded opinion, it's likely this would have remained outside my radar. After watching it, however, I found myself unable to dismiss it.

Pure Scum Is a Relentless Descent Into Privilege, Panic, and Self-Destruction

From the moment Pure Scum begins, it wraps you in a cloud of dread. There is an immediate sense of discomfort and uncertainty hanging over every scene, as though something terrible is always waiting just around the corner. That feeling never really lets up. Instead, writer-director Gideon Aroni's debut feature keeps tightening the screws, building constant rising action that leaves you wondering not if things will get worse, but how much worse they possibly can.

Lockjaw Is the Most Awkward Hangout Movie You’ll See This Year

There's a version of reality where Lockjaw becomes one of those beloved cult indies everyone swears they discovered first. The kind of movie that would have had its trailer playing before every Miramax release in the late '90s until it slowly wormed its way into the consciousness of a certain type of film fan. Watching Sabrina Greco's debut feature, it's hard not to imagine it existing in that timeline.

High Body Count, Low Ambition: The Boy from Below

Horror fans of a certain age will immediately understand what The Boy from Below is trying to do. Set largely on Halloween night in 1997, the film follows video store clerk Quinn Curtis as a masked killer begins turning slasher movies into reality. Director Tory Jones has described the project as a tribute to the video store era and the classic slashers that shaped his love of filmmaking, and that passion is evident from the opening frame.

Big Baby: Spider One and Krsy Fox Continue Their Horror Evolution

There are interviews you look forward to, and then there are interviews that feel surreal. Sitting down with Spider One and Krsy Fox to discuss Big Baby was firmly in the latter category for me. Long before Spider One was building horror films through OneFox Productions, he was fronting Powerman 5000.

Malcolm Kelner Is the Face of Obsession, Whether the Rest of the Cast Likes It or Not

Every great film has that one performance audiences can't stop talking about. For Obsession, the viral thriller from director Curry Barker, that performance belongs, unquestionably, to Malcolm Kelner's bartender. What began as a brief appearance in the film's opening moments has somehow evolved into one of the internet's favorite running jokes, spawning memes, fan theories, social media discourse, and a level of celebrity that Kelner has embraced with remarkable confidence.

Chasing More Than Storms: Ken Cole and Reed Timmer Find the Heart Behind Never Stop Chasing

There are few people more synonymous with storm chasing than Reed Timmer. For decades, audiences have watched him barrel toward some of nature's most violent phenomena in pursuit of science, understanding, and, admittedly, a little adrenaline. But Never Stop Chasing isn't simply another film about tornadoes.

Nat Boltt Brings Heart, Humor, and Humanity to Holy Days

There are filmmakers who make movies because they love storytelling, and then there are filmmakers who seem genuinely in love with the medium itself. After speaking with Nat Boltt about her feature directorial debut, Holy Days, it quickly became clear that she falls into the latter category. Known to many audiences as the unforgettable Penelope Blossom from Riverdale and for her work in films like District 9, Boltt has spent decades in front of the camera.

Aging Legend, Wild Stories: James Faulkner Looks Back on Zulu Dawn

Sometimes you go into an interview with a plan. You’ve got your notes, your bullet points, your angles about the new 4K restoration of Zulu Dawn. And then sometimes you get James Faulkner on the line and you just… let him go. That’s exactly what happened here.

Soulbound: A 53-Minute Animated Odyssey Through the Afterlife That’s Already Winning Awards

Independent animation is often defined by passion, perseverance, and the willingness to tell stories that larger studios might never attempt. Soulbound, the original animated web series created by writer, director, and storyboard artist Jeff Stirling, embodies all three. With the completion of its first story arc, Soulbound now stands as a roughly 53-minute animated feature experience released across four episodes, blending fantasy, comedy, psychological drama, and existential mystery into a uniquely memorable journey.