NickyXX (2017) #WiHM

In the Creepypasta kingdom, NickyXX reigns supreme. It was a cold January afternoon when I first made her acquaintance, riding shotgun on the road to Dallas, during one of those peculiar Texas winters when the weather shifts from balmy to arctic in the blink of an eye and tropical sunrises give way to gray, frozen dusks. Pennie and I were en route to a business function, and to kill the time during the four-hour slog—made even less interesting than usual by the endless vistas of frozen, grey grass and naked trees—I googled “best Creepypastas of the year.”

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CK Walker (2017) #WiHM

Hey, True Detective fans—did the resolution of Season 1 leave you cold? Disappointed in the reveal of the King in Yellow and the non-reveal of the evil cult’s machinations? Upset that you invested that much time into something for so little a payoff?

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Tamae Garateguy (2017) #WiHM

It’s 9:30 on a Tuesday morning, and I think I’m about to watch Tamae Garateguy die. Her geographic location—Argentina, or, “the end of the world,” as she calls it—precludes my usual phone interview method, so she’s been kind enough to chat with me on Skype about her career and her latest film, Mujer Lobo. It’s midway through our conversation when her doorbell rings.

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Aminah Iman (2017) #WiHM

Few things have the power of the written word. I don’t know about you, but I can endure the most terrible visions when they’re projected on a screen, but when I read them, they get buried so deep in my imagination, my brain starts growing fear-tentacled-Chtululike-dendrites and I become a proverbial nervous wreck. I’ve watched all kinds of “extreme” horror, but I had to put down both Lauren Beukes’ Broken Monsters and Henry James’ Turn of the Screw because they were so unsettling.

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Heidi Moore (2017) #WiHM

To paraphrase the noted sociologist Jeff Foxworthy, “There are rednecks everywhere.” By this, he meant that while stereotype would tell us that rednecks usually live in the south, the phenomenon of the defiantly trashy knows no geographical bounds. Growing up in a southern small town famed for its prison, its prison riots, and its prison rodeo, Foxworthy’s observation was cold comfort to me.

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Ashlee Blackwell (2017) #WiHM

Ashlee Blackwell is on a quest. Like many horror fans, she has been disturbed by the lack of positive images of women in horror films, especially women of color. It’s an old sin we know horror to be guilty of: the Black Guy always dies first, women of color are often far more sexualized than their caucasian counterparts, and if by some miracle a Black character makes it to the last quarter of running time, he or she is usually either comic relief or a sacrifice conveniently placed to save the all important, lily-white Final Girl.

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Patricia Chica (2017) #WiHM

We all know the story: The producer, director, writer, ingenue who heads to Hollywood with dreams of making it big. With a little bit of grit and determination, they manage to get a few auditions, or perhaps a job as second unit director, or are asked to help clean up a third-rate script into a second-rater. Whatever the projects may be, they all have one thing in common: It’s a horror film.

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