Trail Cam Sasquatch (2025)

Trail Cam Sasquatch, directed by Mark Polonia, sets out to deliver a tense survival horror experience in the deep woods of Pennsylvania, where strange sightings of hairy creatures and UFOs have the region on edge. The premise is intriguing: a stranded woman joins a hunting party, and what begins as a routine trip quickly turns into a fight for survival against savage Sasquatch creatures. The film’s atmosphere is one of isolation and creeping dread.

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One Million Babes BC (2024)

Mark Polonia’s One Million Babes BC is a delightfully chaotic romp through prehistoric times, blending sci-fi and adventure with a heavy dose of campy charm. The premise is simple but engaging: Ogg, the leader of a wild band of cavemen, selects the young Nila for a ritual sacrifice to appease the sky gods, setting off a series of absurdly entertaining escapades. From the very start, the film establishes its uniquely offbeat tone.

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Maid Droid (2023)

Maid Droid is a low-budget sci-fi thriller that leans into its campy premise with surprising charm. Harrison hires Mako, a stunning android maid, to help him get over his ex—but her resurfacing memories lead to a series of violent and unpredictable events. Think Companion meets Ex Machina, with a dash of Twilight Zone or Black Mirror vibes.

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Paranormal Body Stream (2025)

Jamie Grefe’s Paranormal Body Stream is a tense and thought-provoking sci-fi horror thriller that plunges viewers into the claustrophobic corridors of a top-secret space vessel. From the outset, the film establishes an unsettling atmosphere as the crew begins to suspect they are not alone—and that their identities may be manipulated as part of a terrifying alien experiment. The movie thrives on its atmosphere.

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Maid Droid Origins (2024)

Rich Mallery’s Maid Droid Origins dives into the dark, seductive world of artificial love and moral confusion, serving as a prequel to his ongoing Maid Droid saga. The film traces the haunting beginnings of Eve, a beautiful android maid who murders one of her clients out of curiosity, then flees the grasp of the Syndell Corporation. Seeking refuge with her creator, Timothy and his domineering wife Belle, Eve becomes trapped in a claustrophobic love triangle that blends erotic tension, emotional peril, and existential despair.

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Panic (2024)

Gregory Hatanaka’s Panic is a tense psychological thriller that explores the terrifying unraveling of trust, identity, and reality itself. Centered on the marriage of Scott and Laurie Panic, the story quickly escalates from domestic unease to a full-blown fight for survival when a sinister force begins to infect Laurie’s body and mind. As secrets emerge and loyalties are tested, the couple faces a high-stakes battle that is as emotional as it is suspenseful.

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Deadly Western (2023)

Gregory Hatanaka and Geno McGahee’s Deadly Western is a low-budget genre oddity that’s hard to pin down. On paper, the premise has plenty of promise: a sheriff in a dusty frontier town confronts a deadly gang and uncovers a secret that could change everything. The concept even flirts with sci-fi themes—Hatanaka seems interested in using the western setting as a sort of moral rehabilitation experiment, a place where memory, identity, and justice collide.

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Dreams for Lease (2025)

Rob Roy’s Dreams for Lease arrives as a chilling blend of sci-fi and horror, a film that is as unsettling for its ideas as it is for its imagery. At its heart, the movie asks a provocative question: what if even our most private refuge—sleep—was no longer our own? The story follows Maya, a woman plagued by relentless nightmares.

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