Dreamland (2019)

Back in 2008, director Bruce McDonald impressed me with his taut, less is more, is it or isn’t it a zombie apocalypse thriller Pontypool. Since then, I haven’t seen any of his work, though he’s been quite busy, both theatrically and on television. Recently, I was able to check out his latest cinematic effort, Dreamland, which has been making the rounds on the festival circuit for the last year and will debut Stateside on June 5th.

Read More

Tim and Eric Awesome Show, Great Job! S3E7: Jazz (2008) #Cincothon2020

“Jazz” serves up an intoxicating blend of Maria Bamford, the Beaver Boys, and enough James Quall to make us all forget “Jim and Derick.” Like the genre of music that lends its name to this episode, “Jazz” represents not so much a coherent thesis as a series of variations on several themes. Here, we see old Awesome Show standbys like rivalry, frenzy, social awkwardness, and the sustaining power of friendship all explored, expounded upon, and stylized a little differently.

Read More

Tim and Eric Awesome Show, Great Job! S3E6: Jim and Derrick (2008) #Cincothon2020

Satire is a tricky thing--swing too wide and you don’t land the punch, hit too close to the mark, and you’re just wallowing in the excesses you’re critiquing. Awesome Show rarely does anything by half measures, and nowhere does that hold more true than in Season Three, Episode Six, “Jim and Derrick.” Awesome Show is a master class in taking a single joke and repeating it until the back-breaking absurdity of the gag becomes equal parts annoying and hilarious.

Read More

The Beyond (1981) #RetroReview

A masterpiece of atmosphere, gore, and surrealism, Lucio Fulci’s The Beyond celebrated its thirty-ninth birthday last week and is a personal favorite. Eventually released in the US as 7 Doors of Death in 1983 with an alternate score and missing some of the more gruesome scenes, the original Italian title is …E tu vivrai nel terrore! L'aldilà, which translates to “…And You Will Live in Terror! The Afterlife” and it’s also known as The Ghost Town of Zombies in Germany. The second entry of the director’s “Gates of Hell” trilogy, this is not a film for those who value narrative coherence above all else. Its strengths lie at more subconscious or visceral levels.

Read More