Jamie Grefe's Angels in Retina is a curious blend of psychological thriller and experimental cinema, offering a unique viewing experience that may appeal to fans of avant-garde storytelling. With a minimalist cast and an unconventional narrative, the film delves into the psyche of Violet (Maryjane Zazueta), a woman experiencing mysterious bodily sensations linked to enigmatic orbs. Seeking help from her therapist Charlotte (Julia Burenok), the duo embarks on a journey that blurs the lines between reality and the surreal.
Grefe's direction and writing infuse the film with a distinct style, reminiscent of Jess Franco's work, characterized by a compelling friction between the leads' contrasting performances. This dynamic creates a circular psychodrama that, while insistent in its vagueness, grows comedic over time. The narrative's erotic undertones are present but less overtly unsettling compared to Grefe's previous work in Love Never Leaves. Notably, the film features two extended dance sequences that serve as moments of joyful bodily expression, providing a tonal shift that lightens the overall atmosphere.
The film's minimalist approach extends to its cast and budget, which may be seen as a strength by those who appreciate microbudget cinema. The performances, particularly from Zazueta and Burenok, are earnest, though some viewers might find the film's abstract nature challenging. The narrative's reliance on symbolism and unconventional storytelling may leave some audiences seeking a more coherent plot.
In conclusion, Angels in Retina is a film that embraces its experimental roots, offering a viewing experience that is both intriguing and perplexing. While it may not cater to mainstream tastes, it holds value for those interested in exploring unconventional narratives and the boundaries of psychological cinema.
Jessie Hobson