Body of Night is a gritty, low-budget thriller that explores the dark and unpredictable world of online dating. Directed by Nicole D’Angelo and Gregory Hatanaka, and written by Hatanaka and Geno McGahee, the film follows Therese (Ro’Shae Etienne), a woman whose search for love leads her into increasingly dangerous territory when she meets the enigmatic Erik (Jason Toler). What begins as a seemingly ordinary dating scenario quickly spirals into a series of psychological challenges, testing not only her instincts but her very sense of self.
The film’s strongest asset is its premise. It taps into a modern fear—the dangers and deceptions of online romance—and pushes it to an extreme, keeping viewers on edge with twists and suspenseful moments. Ro’Shae Etienne delivers a solid performance, convincingly portraying Therese’s mixture of curiosity, vulnerability, and determination. Jason Toler’s portrayal of Erik is suitably mysterious, though limited by the constraints of the script and budget. The cinematography and moody soundtrack, with its slow hip-hop and R&B beats, complement the tense, shadowy atmosphere of Therese’s journey.
However, the film is not without its flaws. The pacing can feel uneven, especially in the middle, where the story occasionally drags. Character development is thin, leaving some motivations unclear and emotional stakes underexplored. Dialogue and certain scenes sometimes verge on cliché, and the low-budget production values are evident in set design and visual polish. At times, it feels like a junior college take on erotic thrillers, lacking the refinement of its higher-budget counterparts.
Yet despite these shortcomings, Body of Night succeeds as an engaging indie thriller. Its twists, darkly comedic undertones, and the sheer unpredictability of Therese’s encounters make it surprisingly entertaining. While it may not be romantic, funny, or particularly deep, it offers a compelling peek into obsession, manipulation, and the perils of chasing an idealized love in the digital age.
In the end, Body of Night is not a masterpiece, but it’s an enjoyable, suspenseful ride that proves even a modest budget can deliver a memorable story—if only you’re willing to go along for the ride. It’s perfect for a quiet evening when you just want to be intrigued, a little unnerved, and maybe even slightly scandalized.
Jessie Hobson