In thirty days, the world will end. Everyone on the planet knows this and accepts this. What would you do with your remaining time?
Read MoreBody Bags (1993) #RetroReview
Originally meant to be an anthology horror TV series for premium cable network Showtime, Body Bags features a more than solid cast and an array of cameos by horror fan favorites. Ultimately, it was deemed to be too close to competitor HBO’s highly successful Tales from the Crypt, so the series idea was scrapped and the initial three episodes were combined into a feature with framing and interstitial sequences.
Read MoreYoung Guns (1988) #RetroReview
Growing up, Christopher Cain’s Young Guns was amongst a handful of films that were perennial favorites in my house. August 12th is the film’s 35th anniversary. I still enjoy it, but it’s definitely hit-and-miss, and I wonder how well it would work for anyone who doesn’t already have some nostalgia for it.
Read MoreFantasia Film Festival (2023)
I briefly covered Fantasia last year, and looking back at the films that made the cut, they all had pretty high marks. Because of this, I thought I’d take a stab at checking out what the fest had to offer in 2023. While I wish I had gotten more across my desk, I very much enjoyed viewing and covering the films that were sent my way.
Read MoreBest Geezer (2023)
Raya Films are back at it, following up on their micro-budget thriller Casting Kill from this past January with a feel-good comedy entitled Best Geezer. It recently made its world premiere at the Southend-on-Sea Film Festival in Essex, where the film was shot and set, and it will be making its London debut on July 28th. As you may have gleaned, Best Geezer is a British film, and so I’d like to briefly clarify for my American readers that “geezer” has a different meaning across the pond.
Read MoreChattanooga Film Festival (2023)
I’d never attended Chattanooga Film Festival, and with having a lot of free time recovering from surgery, of course, I’d take a stab at checking out what this fest had to offer. While I wish I had gotten to more, I very much enjoyed viewing and covering the films that I had time to watch. There are a bunch of gems here, so I’d say that the Tennessee film community is in good hands for the years moving forward.
Read MoreIndiana Jones and the Dial of Destiny (2023)
What if a hero doesn’t get to live happily ever after? For quite a while, film fans thought Indiana Jones’ ride into the sunset at the end of 1989’s Indiana Jones and the Last Crusade was the character’s swansong. However, in 2008, we were treated to an older Indy with Indiana Jones and the Kingdom of the Crystal Skull.
Read MoreDanger God (2018)
As the usage of CGI in films has increased over the last several decades, my appreciation for traditional stunt work has only grown. Stunt people largely worked unheralded as they endeavored to gift stories some realism that was sometimes beautiful, sometimes violent, and always dangerous. One such legend was Gary Kent, the focus of Joe O’Connell’s documentary entitled Danger God aka Love and Other Stunts.
Read MoreCoherence (2013) #RetroReview
The multiverse is all the rage, right now. You’ve got Everything Everywhere All at Once, Doctor Strange in the Multiverse of Madness, Spider-Man: Across the Spider-Verse, and many others. However, ten years ago, a micro-budgeted flick was released that played with the concept of alternate realities in a much more psychological manner.
Read MoreOutpost (2022)
Like many comedians, Joe Lo Truglio is also a horror fan. The works of Stephen King were a key influence growing up. Now, in-between acting gigs, Lo Truglio has been attempting to make his own horror films.
Read MoreBulletproof (1987) #RetroReview
I was introduced to Steve Carver’s Bulletproof from 1988 via a clip of Gary Busey screaming this from some rafters before jumping down amidst a hail of machine gun fire. What exactly is a “butthorn?” Well, it’s the favorite invective utilized by Busey’s lead character Frank “Bulletproof” McBain.
Read MoreThe Dark Half (1993) #RetroReview
After a two-year delay because of Orion Pictures’ financial problems, legendary writer/director George Romero’s adaptation of Stephen King’s The Dark Half was finally released in 1993. The affable filmmaker preferred to work in an independent setting and it would seem his somewhat difficult experience on this film helped cement that predilection. Notably, it was the last movie he made in his beloved Pittsburgh.
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