Gregory Hatanaka’s Boiling Point, co-written with Jamie Grefe, is a searing indie crime thriller that brings both grit and chaos to the screen. Starring Gio Drasconi as Michael, a desperate bar owner fighting to keep his livelihood, and Luca Toumadi as Sidney, his closest ally turned potential liability, the film immerses viewers in a world where mob pressures, paranoia, and betrayal intersect. At its core, the story is simple yet effective: Michael’s bar is barely surviving, and when the mob decides it wants control, his life spirals into a storm of threats, shifting loyalties, and violent ultimatums.
Read MoreDreams for Lease (2025)
Rob Roy’s Dreams for Lease arrives as a chilling blend of sci-fi and horror, a film that is as unsettling for its ideas as it is for its imagery. At its heart, the movie asks a provocative question: what if even our most private refuge—sleep—was no longer our own? The story follows Maya, a woman plagued by relentless nightmares.
Read MoreWarren County (2025)
Frank Palangi’s Warren County is a lean, unsettling indie horror-thriller that thrives on atmosphere, tension, and a sense of dread creeping through the cracks of small-town life. With a brisk 62-minute runtime, the film wastes no time plunging its audience into a patchwork of serial killings, strange encounters, and unnerving performances that give the quiet New York countryside an aura of menace. The film unfolds as an anthology of interconnected stories, anchored by the voice of “Just Rick,” a true-crime podcaster who tries to piece together the grisly history of murders in the region.
Read MoreEnter the Samurai: Making of Samurai Cop 2 (2020)
Enter the Samurai, directed by Brent Baisley, is a raw and often chaotic behind-the-scenes chronicle of the unlikely resurrection of Samurai Cop, a film once relegated to the annals of so-bad-it’s-good cinema. At just under an hour, this documentary captures the messy, passionate, and frequently absurd process of making Samurai Cop 2: Deadly Vengeance. While the sequel itself was divisive, this making-of film is arguably far more compelling than the movie it documents.
Read MoreGirl Upstairs (2024)
Kevin Van Stevenson’s Girl Upstairs is a haunting, slow-burn thriller that blurs the line between fantasy, trauma, and isolation. Written by John Gee, the film introduces us to Dulce, a reclusive artist who has shut herself away in an apartment above a movie theater. What begins as a quiet portrait of agoraphobia soon spirals into a surreal meditation on creation, obsession, and the fragile boundary between safety and danger.
Read MoreRobocidal (2025)
Cult filmmaker Mark Polonia returns with Robocidal, a gritty sci-fi horror that fuses the director’s signature low-budget ingenuity with a story steeped in cybernetic paranoia. Released on September 16, 2025, the film taps into the classic “killer robot” tradition while putting its own eccentric stamp on the genre. The plot kicks off with a catastrophic explosion at tech giant Vronics, whose cutting-edge android program suffers a deadly malfunction.
Read MoreBlow Out (2024)
Gregory Hatanaka’s Blow Out is an ambitious and often unpredictable entry into the action-thriller genre, one that blends espionage intrigue with surreal narrative turns. At its core, the film tells the story of Mishenson, an elite secret agent who discovers that the very organization he has served with loyalty has set him up for elimination. The premise promises a tense web of betrayal, assassins, and shifting allegiances—and Hatanaka delivers a film that feels both familiar in its spy-thriller DNA and utterly idiosyncratic in execution.
Read MoreDemon Spawn (2025)
Rob Roy’s Demon Spawn is not your typical horror film—it’s a bleak, unsettling dive into grief, trauma, and the thin veil separating faith from madness. At its core, the story follows Trevor and Andrea, a couple devastated by the stillbirth of their child. What begins as an intimate portrait of loss gradually mutates into something darker, as their desperate attempts to cope open the door to occult rituals, strange visitations, and the possibility of supernatural interference.
Read More