Cameron Smith’s The Loneliest Boy On Earth isn’t just a film—it’s a confession, a reckoning, and an open wound. The first episode of what will become an eight-part autobiographical documentary psychodrama series, this initial installment functions not only as a film, but as a mirror held uncomfortably close to the face of its creator—and, by extension, to us. Equal parts hyper-meta performance art, tragicomic therapy session, and millennial fever dream, The Loneliest Boy On Earth follows Smith as he interrogates his most painful vulnerability: love, or more precisely, the inability to sustain it.