Terrifier Junior: Eli Roth’s Ice Cream Man Is a Sugar-Fueled Bloodbath

August 3, 2026

For over twenty years, Eli Roth has apparently been trying to get Ice Cream Man made. After watching it, that's easy to believe. This is the kind of movie that sounds too insane for a studio to greenlight: an idyllic small town, a mysterious ice cream vendor, and an army of children driven into a homicidal frenzy after enjoying a frozen treat.

Trick or Treat Goes for the Jugular in V/H/S/Halloween

February 9, 2026

There are a lot of horror franchises that limp their way this far into a run. V/H/S is not one of them. Eight films in, V/H/S/Halloween proves this series still understands the assignment.

The Toxic Avenger (2023)

August 27, 2025

Macon Blair’s The Toxic Avenger is both a tribute to Troma’s midnight-movie legacy and a bizarre reinvention that feels like it escaped from the wrong decade. Somehow, it manages to feel like Troma and not like Troma at the same time. It is gruesome, brutal, cheap-looking in an oddly expensive way, and packed with over-the-top performances.

Terrifier 3 (2024)

October 29, 2024

Bloody sounds. Ooey, gooey, blood spurty sounds. Cue audience members walking out in disgust.

RE: Ready or Not (2019) #RetroReview

August 19, 2024

Darkly funny with nice production values and distinctive performances, filmmaking collective Radio Silence deliver a crowd-pleasing thriller with 2019’s Ready or Not. Laced with biting class satire, the film aims to entertain as well as skewer. August 21st sees the film celebrate its fifth anniversary, so let’s take a look back!

Review

The Legend of Van Dorn A Civil War Drama That Finds the Man Behind the Myth

Historical dramas often succeed or fail based on whether they can make familiar events feel fresh. The Legend of Van Dorn, directed by Shane Stanley, takes a different route by focusing on a fascinating Civil War figure who remains largely unknown outside history circles. The result is an engaging period drama that blends military strategy, romance, ambition, and tragedy into a story that feels both intimate and consequential.

The Benefactress: The Dirtiest Mirror in the Room

I'll be honest: The Benefactress is not the kind of film I would normally gravitate toward. Had director Guerrilla Metropolitana not personally reached out and asked for an honest, open-minded opinion, it's likely this would have remained outside my radar. After watching it, however, I found myself unable to dismiss it.

Pure Scum Is a Relentless Descent Into Privilege, Panic, and Self-Destruction

From the moment Pure Scum begins, it wraps you in a cloud of dread. There is an immediate sense of discomfort and uncertainty hanging over every scene, as though something terrible is always waiting just around the corner. That feeling never really lets up. Instead, writer-director Gideon Aroni's debut feature keeps tightening the screws, building constant rising action that leaves you wondering not if things will get worse, but how much worse they possibly can.

Lockjaw Is the Most Awkward Hangout Movie You’ll See This Year

There's a version of reality where Lockjaw becomes one of those beloved cult indies everyone swears they discovered first. The kind of movie that would have had its trailer playing before every Miramax release in the late '90s until it slowly wormed its way into the consciousness of a certain type of film fan. Watching Sabrina Greco's debut feature, it's hard not to imagine it existing in that timeline.

High Body Count, Low Ambition: The Boy from Below

Horror fans of a certain age will immediately understand what The Boy from Below is trying to do. Set largely on Halloween night in 1997, the film follows video store clerk Quinn Curtis as a masked killer begins turning slasher movies into reality. Director Tory Jones has described the project as a tribute to the video store era and the classic slashers that shaped his love of filmmaking, and that passion is evident from the opening frame.

Big Baby: Spider One and Krsy Fox Continue Their Horror Evolution

There are interviews you look forward to, and then there are interviews that feel surreal. Sitting down with Spider One and Krsy Fox to discuss Big Baby was firmly in the latter category for me. Long before Spider One was building horror films through OneFox Productions, he was fronting Powerman 5000.

Malcolm Kelner Is the Face of Obsession, Whether the Rest of the Cast Likes It or Not

Every great film has that one performance audiences can't stop talking about. For Obsession, the viral thriller from director Curry Barker, that performance belongs, unquestionably, to Malcolm Kelner's bartender. What began as a brief appearance in the film's opening moments has somehow evolved into one of the internet's favorite running jokes, spawning memes, fan theories, social media discourse, and a level of celebrity that Kelner has embraced with remarkable confidence.

Chasing More Than Storms: Ken Cole and Reed Timmer Find the Heart Behind Never Stop Chasing

There are few people more synonymous with storm chasing than Reed Timmer. For decades, audiences have watched him barrel toward some of nature's most violent phenomena in pursuit of science, understanding, and, admittedly, a little adrenaline. But Never Stop Chasing isn't simply another film about tornadoes.

Nat Boltt Brings Heart, Humor, and Humanity to Holy Days

There are filmmakers who make movies because they love storytelling, and then there are filmmakers who seem genuinely in love with the medium itself. After speaking with Nat Boltt about her feature directorial debut, Holy Days, it quickly became clear that she falls into the latter category. Known to many audiences as the unforgettable Penelope Blossom from Riverdale and for her work in films like District 9, Boltt has spent decades in front of the camera.

Aging Legend, Wild Stories: James Faulkner Looks Back on Zulu Dawn

Sometimes you go into an interview with a plan. You’ve got your notes, your bullet points, your angles about the new 4K restoration of Zulu Dawn. And then sometimes you get James Faulkner on the line and you just… let him go. That’s exactly what happened here.

Over Coffee Creations Wins Award in Accolade Global Film Competition

Jeff Stirling, of Over Coffee Creations, has won a prestigious Award of Recognition from The Accolade Global Film Competition. The award was given for Jeff Stirling’s exciting web cartoon, Soulbound, which aims to platform new talent and create a unique artistic experience that lifts up the little guy in global online production. Soulbound features exceptional animation, character writing, sharp dialogue, densely-packed storytelling, colors, art direction, and innovation that could only emerge from a small indie film sphere.