Ricky Stanicky (2024)

Ricky Stanicky, the latest offering from director Peter Farrelly, brings together a mix of familiar comedic elements with a touch of unpredictability. While the film's premise may feel like every other Adam Sandler film, it manages to carve its own niche, thanks to the versatile performances of its cast, particularly Zac Efron and John Cena. Zac Efron's ability to seamlessly transition from roles like a wrestler to a comedic lead showcases his adaptability, reminiscent of John Cena's own surprising comedic prowess.

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Out of Darkness (2022)

Out of Darkness is a gripping journey into the primal depths of survivalist horror, where the unforgiving landscape becomes a character in itself. Directed by the impressive newcomer Andrew Cummings, this film catapults viewers 45,000 years into the past, where a desperate group of pioneers battles starvation, fear, and the unknown in a quest for a new home. The film opens with a slow burn, the first half-hour setting the stage for what initially seems like a mundane survival story.

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Monolith (2022)

Monolith takes audiences on a unique and intriguing journey by blending a minimalist approach with the power of podcasts to deliver a thought-provoking narrative. Lily Sullivan's one-woman show, supported by exceptional vocal performances, unfolds within a single location, effectively capturing the essence of paranoia, guilt, and the looming possibility of an alien invasion. The film cleverly taps into the current trend of podcast popularity, using interviews as a tool to unravel mysteries.

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Alita: Battle Angel (2019) #RetroReview

Though hindered by a handful of flaws, Alita: Battle Angel from 2019 is a seriously fun film. Directed by Robert Rodriguez, and produced and co-written by James Cameron, the filmmakers go all in on creating visually dazzling anime-inspired cyberpunk visuals. Based on the manga by Yukito Kishiro, Cameron had wanted to make the film for nearly two decades but his work on his Avatar series took priority.

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He Went That Way (2023)

Filmmaking grapples with the dichotomy of true stories often being either too mundane or too complex for cinematic adaptation. While some extraordinary tales demand dramatization, skilled filmmakers can extract intrigue from seemingly ordinary narratives. The assertion that every person has a compelling story underscores the transformative power of storytelling.

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No One Will Save You (2023)

Aliens have been in our movies ever since Georges Méliès’s 1902 silent epic “A Trip to the Moon.” Since then, we’ve been gifted 1951’s “The Day the Earth Stood Still,” 1953’s “War of the Worlds,” 1956’s “Earth Vs. the Flying Saucers,” and that’s just the ‘50s. Mankind has been fascinated with extraterrestrial life for centuries, but these last two centuries really kicked off the ET craze.

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Skinamarink (2022)

Cambridge Dictionary defines a “fever dream” as “A very strange experience or situation, usually a bad one, that seems like a dream rather than like something that would really happen.” On dreams in general, Merriam-Webster defines a dream quite accurately for this film in one word: “A series of thoughts, images, or emotions occurring during sleep.” There’s that word, “images.”

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