The Mortuary Assistant arrives with a lot of weight behind it. Based on the cult-favorite horror video game and backed by Epic Pictures and Dread, the Shudder-bound adaptation positions itself as an “authentic” translation of one of gaming’s most unnerving experiences. Directed by Jeremiah Kipp, the film is undeniably crafted with care, atmosphere, and a clear respect for its source material—even if it doesn’t always justify its own existence outside of that shadow.
Read MoreThe Haunted Forest: A Cozy Fall Slasher That Loses Its Way in the Woods
There is something inherently charming about a horror movie set inside a haunted attraction. The Haunted Forest taps directly into that seasonal magic, the kind that smells like fog machines, damp leaves, and overpriced cider. From the jump, it understands the appeal. Watching a slasher unfold in a theme park-style haunt is half the fun, and for a good stretch, this thing works exactly the way you want it to.
Read MoreClueless Energy, Earnest Heart: The Way Things Used 2 B
The Way Things Used 2 B wears its heart on its low-rise jeans. Written and directed by Kurstin Moser and Ciara Naughton, the short comedy is a clear love letter to early-2000s rom-coms, leaning hard into nostalgia, character-driven humor, and the comforting predictability of the genre. For anyone who grew up dreaming of kissing Jude Law in a rainy British village or riding off into the sunset with Matthew McConaughey, this one knows exactly who it’s playing to.
Read MoreHello Darkness, My Old Friend: The Strangers Chapter 3 Stumbles to the Finish Line
The Strangers Chapter 3 opens with a cover of The Sound of Silence, beginning with “hello darkness, my old friend,” which feels almost too appropriate considering we are returning to the same story for the third and final time. The screen reads “three years ago” as a young woman walks into a motel lobby. Fans who stuck around through the previous film’s post-credits scene will immediately recognize what is being set up here.
Read MoreThe Moment Is a Pop Star Panic Attack, and Charli XCX Owns Every Second
Before getting into The Moment, I have to say this upfront. I saw Charli XCX back in 2013 at Filter Magazine’s Showdown at Cedar Street during SXSW. Look at that lineup and tell me that was not an all-timer.
Read MoreGore Verbinski Comes Back Swinging With a Batshit, Brilliant Time-Loop Nightmare
There is a moment early in Good Luck, Have Fun, Don’t Die where Sam Rockwell barrels through an 11-page monologue, soaked in sweat, paranoia, grief, and caffeine, and you either buy in completely, or you check out forever. Gore Verbinski knows this. The film knows this. It dares you to get on board, and once you do, it never looks back.
Read MoreBikini Nurses and the Art of Beautiful Chaos
At a glance, Bikini Nurses sounds like pure grindhouse silliness. Give it a few minutes, though, and it quickly reveals itself as something far stranger, warmer, and more self-aware than the title lets on. Directed by Jamie Grefe, this cult comedy uses exploitation aesthetics as a Trojan horse for a surprisingly sincere story about art, memory, love, and holding onto the places that give life meaning.
Read MorePaging Dr. Paranoia: The Night Shift Bleeds in Body of Nurses
There is something instantly grimy and alluring about Body of Nurses, a late night hospital thriller that leans into paranoia, secrets, and the idea that nothing good ever happens under fluorescent lights at 3 a.m. Directed by Jamie Grefe, the film unfolds almost entirely during a single night shift, using its confined setting to slowly tighten the screws as personal drama curdles into outright horror. The story kicks off when Dr. Roth, a respected surgeon played by Grefe himself, confesses his feelings for Genevieve, the head nurse portrayed with eerie calm by Jasmine Lynn.
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