One of the most fascinating aspects of Obsession is how deeply family is woven into its DNA. While audiences have become captivated by the mystery of the One Wish Willow and the film's layered storytelling, many may not realize that one of the movie's most iconic creations came from the hands of Amy Evans-Vega, a graphic designer, illustrator, mother of writer-director Curry Barker, and one of the earliest creative collaborators on the project. As the designer behind the now-famous One Wish Willow packaging, Amy helped create a prop that has become every bit as memorable as the film itself.

Few independent horror films have built the kind of passionate following that Frogman has earned over the last several years. What began as a low-budget labor of love from director Anthony Cousins and his collaborators has grown into a genuine cult phenomenon, with Frogman Returns expanding the mythology in surprising ways and leaving audiences eager to see where the story goes next. At the center of it all is Nathan Tymoshuk, whose portrayal of Dallas Kyle has become synonymous with the franchise itself.

There are certain actors who elevate every project they touch, and Jason Isaacs has long been one of them. While many audiences know him from the Harry Potter franchise or more recently The White Lotus, his latest role in The Salt Path may be one of the most affecting performances of his career. Based on the memoir by Raynor Winn, the film follows Raynor and her husband Moth after they lose their home and face a devastating medical diagnosis, setting out on a 630-mile journey along England's South West Coast Path.

There are interviews you look forward to, and then there are interviews that feel surreal. Sitting down with Spider One and Krsy Fox to discuss Big Baby was firmly in the latter category for me. Long before Spider One was building horror films through OneFox Productions, he was fronting Powerman 5000.

Every great film has that one performance audiences can't stop talking about. For Obsession, the viral thriller from director Curry Barker, that performance belongs, unquestionably, to Malcolm Kelner's bartender. What began as a brief appearance in the film's opening moments has somehow evolved into one of the internet's favorite running jokes, spawning memes, fan theories, social media discourse, and a level of celebrity that Kelner has embraced with remarkable confidence.

There are few people more synonymous with storm chasing than Reed Timmer. For decades, audiences have watched him barrel toward some of nature's most violent phenomena in pursuit of science, understanding, and, admittedly, a little adrenaline. But Never Stop Chasing isn't simply another film about tornadoes.

There are filmmakers who make movies because they love storytelling, and then there are filmmakers who seem genuinely in love with the medium itself. After speaking with Nat Boltt about her feature directorial debut, Holy Days, it quickly became clear that she falls into the latter category. Known to many audiences as the unforgettable Penelope Blossom from Riverdale and for her work in films like District 9, Boltt has spent decades in front of the camera.

Sometimes you go into an interview with a plan. You’ve got your notes, your bullet points, your angles about the new 4K restoration of Zulu Dawn. And then sometimes you get James Faulkner on the line and you just… let him go. That’s exactly what happened here.

Few performers have built the kind of genre résumé Kathleen Kinmont has accumulated over the years. From surviving Michael Myers in Halloween 4: The Return of Michael Myers to becoming part of the twisted madness of Bride of Re-Animator and later finding television success with Renegade, Kinmont has spent decades navigating horror, action, and cult cinema. Her latest project, Valley of the Horntak, adds another intriguing chapter to that legacy, placing her at the center of a folk horror story filled with cults, family trauma, creature effects, and fungal nightmares.

There's something immediately disarming about sitting down with Henry Thomas and Adrianne Palicki. Maybe it's the shared Texas roots. Maybe it's the fact that both performers have built careers by bringing an uncommon level of honesty to their work.